swooning..

Have you heard of the artist named Swoon? She is not to be missed. Natalya here to tell you about Swoon's exhibit at the Brooklyn Museum. It was a spur of a moment visit, I only had my iPhone to take pictures with and I took a gazillion. No worries, it was painful, but I edited them down to just a few...

You do have until August 24th to go see this for yourself, but in case that doesn't fit into your summer schedule, here's a brief review and many links. Caledonia Dance Curry is quite an accomplished artist who started with traditional training (she attended my Alma Mater Pratt Institute), but after graduating was very discouraged with the gallery system and became a street artist. She has managed to fashion an amazing career from that start and is now an artist with exhibits all over the world. She known for her installations and this is her latest at the Brooklyn Museum.

I had never seen her installations before, just have heard about her and seen a bit about her in a documentary film Our City Dreams. Needless to say that I was completely overwhelmed by what I saw and I'm sure Kristin can confirm that my jaw was on the ground. The scale of this installation is immense and cannot be expressed in these photos. Do see the videos in the links above to get a sense of the scale.

plastic drop cloth (my heart fluttered). Swoon used the drop cloths that protected the walls during the installation in the installation.

gigantic tree draped in cloth and lacy cut outs for leaves is at the center and made for very dramatic shadows

cardboard tubes in a beehive like hut

a collage of larger than life prints of her beautiful drawings

delicate cut outs are draped on the floor where they curve and produce wonderful shadows

here are the tree roots, so you can see the fabric

more amazing drawings

two large handmade boats are part of the installation (made from scraps), but I was fascinated by the lace sails and the shadows they made

my kind of whimsical

this is a top portion of one of the boats

lacy cut outs cover many walls and backs of large figures

Hope you do get to see this exhibit, it's worth the trip! And happy Independence Day USA!

fooled myself

Happy New Year! There is nothing like starting the new year with a realization that I have managed to fool myself yet again.. Natalya here and here's the story:

Back in 2007, inspired by Jeanne Williamson I started a weekly journaling project in which I explored different techniques, experimented with recycled materials and generally didn't give myself any rules except for size. I kept this going for two years and then got bored and decided to do a daily sketch journal. Sketching turned into experimenting with collage and painting and printing and doodling all on the pages of the said journal. Then in 2010 I got all fancy and did monthly diptychs based on my sketches from the year before. The following year I embarked on a very ambitious project of daily journaling on fabric. I had it all figured out: monthly prompts, experiments, binding into monthly books and then....I fizzled out and quit. Yup, quit. I thought that was the end of my journaling. Got it all out of my system, no need for more.

What I didn't even realize was that I hadn't really quit, I had just changed my media. You see, back in the beginning of  2009 I started something silly and frivolous on my blog called Wordless Wednesdays. It was really just blog fodder for when I couldn't think of anything else to blog about. I copied the idea from a bunch of other bloggers, sort of fell into a trend. Without even realizing it became a habit. Somewhere in 2012 the Wordless Wednesdays became more and more architecture based, only natural as my artwork was concentrating more and more on architecture. And they became not so wordless too somehow... In 2013 I gave myself a real challenge of making Wordless Wednesday an experiment in Photoshop using photos of NYC only.

So call me slow...but it was only this week as I planned out my Wordless Wednesday challenge for 2014 that I realized that I had never quit journaling! I just changed my journaling media... Isn't hindsight great?

So what's your journaling story? Weekly, monthly, everyday? Textile, paper or computer? And how has it morphed over time?

Providing Space For Possibility

I've been thinking a lot about that lately.

Carol here, opening a discussion on how we can open up a space for possibility.

I am smack dab in the middle of a huge purge and reorganization of my home.

It started out innocently enough with me wanting to clean out my studio.
It was cluttered, packed with useless ("I might need that one day") items that are easily accessible.

Why keep all of these things in my studio when I can pick them up locally for a few coins when I need them?
I understand that I need some of them  in front of me for inspiration but I was/am sick to death of a packed, cluttered work space!
When I am in the middle of a project (or two), my work table is always cluttered - but with purpose.
And that type of clutter is easily dealt with after a project is completed.

It's the ever present clutter that haunts me.

I truly believe that it inhibits creativity and restricts inner vision.

In short, it cripples my ability to bring concrete form to my creative voice.

With all of that in mind, I began the arduous task of picking through decades of "precious" items.
Some of them were easy enough to part with. They no longer fit my idea of suitable art supplies (to me anyway), my color preferences changed or I was no longer interested in completing that particular project.

But what I did notice was that the longer I worked at cleaning out my space, the easier it got to toss the items to the "throw away" or "donate" pile.
And, when that happened, I felt that a weight had been lifted off of me. I could really feel my spirits lifting.

I believe that I was opening up space for something new, something fresh in my life.

I didn't want to allow the past, in the form of clutter, to hamper future possibilities.

The action of purging the studio fueled a passion to do the same thing throughout my home.

At the end of the day, the pain that I feel is an odd comfort.
It tells me that I am doing a good thing, that I am putting in the important work it takes to create not only a physical space that invites creativity and inspiration but I am also creating that same space within myself.

I did not plan on this being a New Year's resolution. It just happened to be this time of the year.

If I was one to make resolutions, I'd resolve to continue to simplify my life, my home and attitude.
For they have become much too cluttered.

I hope that you all continue to invite inspiration into your life.
A good place to start is to create a space for it - open yourself up to possibility.

Your Elusive Creative Genius

Gloria Hansen here.

This is a favorite TED talk that I shared on my gloriahansen.com blog more than a few years back.  It's by Elizabeth Gilbert – author of a favorite book, Eat, Pray, Love, on nurturing creativity.

In my original post I talked about how Elizabeth Gilbert muses on the impossible things we expect from artists and geniuses — and shares the radical idea that, instead of the rare person “being” a genius, all of us “have” a genius. It’s a funny, personal and surprisingly moving talk.

She talked about the success of her book and people now asking her “Aren’t you afraid that you’ll never live up to your prior success … that you’ll be a failure?”

She goes on to discuss how creativity was originally looked upon as an outside entity that visits one and graces it with a bolt of inspiration.  The Romans referred to creativity as genius.  Again, an outside force that would possess one with inspiration.  At one point things changed.  “We went from having a creative genius to being a creative genius.” And with that comes a lot of pressure, suffering, and despair.  She talked about the “painful reconciliation” people go through when success comes along and then wanes.

I periodically watch this video because it's a gem. It reminds me that rather than sitting in that painful place where I feel like I'll never be creative again, and playing in my mind all of those dark thoughts that can quickly sabotage good energy,  I just need to get busy and do the work.  Here's to showing up, doing the work, and finding your elusive creative genius.

Traveling Down Under - Inspiration Files

Travel is a most inspiring experience for artists. The memories and photos can provided fodder for years after a trip.

Last month I was fortunate to be invited by Cecile from Unique Stitching to teach at a paper craft and mixed media show in Brisbane and a big quilt and craft show in Sydney. First stop, Brisbane, a charming city with a lot of interesting street art.

The two abstract fern patterns above were metal work on concrete benches on the sidewalk.

The inside of the roof in the expo center in Brisbane had a beautiful pattern in the trusses, below.

After a few days in Brisbane we flew off to Sydney. The show was held in the expo center in Darling Harbor and we stayed in nearby Chinatown.

The wall along the walkway from Chinatown to Darling Harbor was sinuous and undulating.

There were mosaic sidewalk installations in the grassy areas in front of the expo center.

The expo center itself looked like a ship at berth. Sadly the building is being torn down later this year. I hope it will be replaced by something equally elegant and architecturally relevant to its location.

Darling Harbor is a revitalized seaport housing not only the expo center but many restaurants, cafes and shops. It is especially charming at night looking across the harbor at the city lights.

Chinatown had many fierce foo dragons including this massive guy and his twin.

The show was beautifully run, and had a varied, eclectic mix of vendors. Unlike most quilt shows in the states, this was a quilt and craft show so there were vendors selling supplies and finished goods in many, many craft disciplines other than quilting. This might contribute to the fearlessness that I noticed in Australian artists to mix their media and blur the lines across fields. 

The quilt exhibit was extremely inspiring. Not having the rigidity of the tradition of American quilting holding them back (no "quilt police" that I saw at all down under!) Australian quilters tend to experiment more than their American peers and worry less about how things "should" be done, or what's "correct". It was a really refreshing attitude reflected in the finished quilts and the students in classes. Another refreshing aspect of the quilt show was the music that was played all day every day - it really contributed to the energy of the show. There were mostly hits from the 70s and 60s, and each day the show opened with a dance party in the lobby with the vendors dancing (gangnam style, the macarena, even the electric slide) for the patrons waiting in line to get in. What a fun, happy, and original way to start the day!

After the show closed, Cecile, the most gracious host on the planet, treated me to a day tour to the Blue Mountains outside of Sydney that started with a bus ride to a wildlife sanctuary - where, yes, I pet a koala. We  paused for lunch in a chic mountain town, stopped for a ride on the steepest railway in the world, and ended with a ferry ride down the river and past the Opera House (plus even more in between). It was a magical experience.

The flora is so interesting and has sparked all sorts of ideas for surface design.

Crazy steep railroad - slightly intimidating but so so cool. You ride down to the bottom in cars in a nearly reclined position and then return backwards.

An amazing Aboriginal sacred site called the Three Sisters. The landscape was truly breathtaking everywhere we went. At one point we walked down a steep path to an overlook to see the valley and imagine it when the first European settlers arrived and learn about the trees, the periodic bush fires, and the history. The entire day (the whole trip really) was so educational and enlightening.

I came back invigorated and inspired and ready to hit the studio. 

finding inspiration

Natalya here. I am currently in a bit of a slump. Nothing to worry about, just sort of stuck on how to begin a piece. I know where I want it to go, just having trouble starting. So I am procrastinating. One of the ways I like to procrastinate, besides organizing some pile (did that yesterday!), is by looking through my photos. I consider that inspiration in disguise.

Every now and then I find some forgotten gems, like these below from a visit to the Met this past spring. I went to see the Matisse exhibit and on the way out or in stumbled upon these wonderful textures that I just had to photograph.

Alquimia XIII, detail of a wall hanging by Olga De Amaral

Alquimia XIII, detail of a wall hanging by Olga De Amaral

Gorgeous wisps of thread drew me to this huge piece. I just adore the delicacy of it and the gentle yet vibrant color. And am fascinated by the materials: linen, rice paper, gesso, indigo red and gold leaf. What is "indigo red"? I'll have to investigate, and where on the piece is it?

Between Earth and Heaven, detail of a piece by El Anatsui

El Anansui's work has attracted me for years. To make trash look so gorgeous is a gift! I must not miss his exhibit at the Brooklyn Museum this summer.

Ceremonial wrapper from Indonesia, 19th or early 20th century (detail)

Indigo dye at its best, no? That delicate wisping of color....sigh...

Ceremonial wrapper from Indonesia, 19th or early 20th century (detail)

Same wrapper, just the other end of it with gold leaf doodles. If you look carefully at the reflection (this was behind glass) you can see the huge panels on the opposite wall and that'll give you a good idea of the size of this wrapper. What or whom did they wrap in this beauty?

Dartahal (1995) by Gedewon (Ethiopian 1939-2000)

Now these are doodles to impress! Ball point pen, lead pencil, graphite and ink on paper. Absolutely stunning detailed drawing... And what's wonderful to me about this, is that this is "talismanic art", meaning it's considered healing and is drawn for individual patients. A fascinating tradition of Ethiopian Orthodox Church.

So I have found these photos in my photo stash, now what? Well, just the act of looking at them and preparing this blog post has energized me. I feel inspired, I am itching to get my hands on some art materials and get to work! Off to the studio, I know what to do now!

Cliff Jumping and Leaps of Faith

Cotttonwood Center for the Arts

Liz Kettle here today...I have never been one for taking big risks. All those quotes that say leap off the cliff and your wings will appear or you will build them on the way down have never motivated me. Why would any sane person jump of the cliff? When faced with a big goal I take a breath and look down the side of the cliff for the first step.  One step at a time and before you know it I am at the bottom. Maybe it took me a little longer than those who jumped but it is less stressful that’s for sure!

I have been thinking about a studio outside of my home for quite a few years. I never found anything that was right. Most studios are set up for painters and are much too small for a mixed media textile artist. We have way too much good stuff to fit comfortably in most studio spaces. I started talking about sharing a studio space with my friend and fellow textile artist Cass Mullane. But, still nothing we found was right.

You know, how sometimes you just need to be totally ready for something and it shows up? Well, that is exactly what happened to Cass and me. We were at Cottonwood Center for the Arts at the same time dropping off some art for an exhibit when we stopped to chat with the new director of the arts center Jon Khoury . He mentioned that there was one studio spot that had just become available and would we be interested in seeing it.

 

The moment we walked into the space we both got one of those intuitive hits, an overwhelming desire to leap off the cliff and say yes to the space. Of course neither of us said much in that moment, we didn’t want to seem too eager or pressure the other one to commit to something this big without considered thought...neither of us are cliff jumpers. We left the art center and grabbed a cup of coffee to discuss the possibility. We listed the pros and cons…only we couldn’t come up with much on the con side of the paper. We both knew that this was what we had been waiting for. We just couldn't wipe the grins off our faces.

The view from the entry door

The studio is perfect. Big enough for two people to work comfortably in, great light, great access on the first floor, room to teach classes, room to display our art and at an affordable price. Did I mention the studio is in a thriving art center with over 70 artists in residence? It was a leap of faith rather than a cliff jump to sign the lease. Faith in my work, my abilities and my future as an artist.

We haven’t even been in the space a month but we both know this is going to change our art and the way we work. I found it too distracting to be at home. I had plenty of space but there were so many distractions when the work got hard. It was too easy to say, I will just fill the dishwasher or check e-mail or I just remembered that I need to weed the garden.  Before you knew it a week had gone by and I hadn’t gotten to that next step. I sometimes just want to avoid the work when I am stuck rather than push through. Which is really silly because eventually you just have to push through!

My work space and a peek down the hall to the main lobby

 There is plenty of space for teaching classes and I think my work my begin to get larger because I have space around me rather than too much stuff in too little space. I won't bring all my studio supplies to the new space. I have only brought the 'good stuff'. You know all the hand dyes, vintage fabrics, fabrics I have created with surface design...the expensive ribbons and paints. I know I will have to bring things back and forth but that is ok. I must say that putting the key in the lock each morning and walking into that beautiful space makes my heart sing.

The thing I hadn't imagined I would like is the public popping in to see our artwork and chat about our processes. They are all intrigued with our mixed media textile art. It is so rewarding to hear their comments and get feedback daily. We have a once a month art walk on the last friday of each month so if you are in the Colorado Springs area be sure to visit. We are working on our schedule so one of us will be at the studio each day. Our Grand Opening will be Sat July 6 from 10-2 if you are local or visiting it will be a blast.

Series

Hi, it's Kristin this time. In my previous life as a graphic designer, working in a series was something of a foreign concept. With each client came a new set of parameters and goals. When I took up quilting, a series was far from my mind as well. Unless you count baby quilts for friends as a series (which one totally could if one wanted). But as my work became less practical and more conceptual (and after many years of learning various techniques and themes), I began to work in series. Once you realize that you have ideas that can't be fully explored in one piece, it's pretty much inevitable. At first it was vague -- just a tendency towards landscapes. Then I had an idea for a war quilt (War Sucks). That quickly spawned more ideas, which then became The Army Wife series.

 

 Some people look for strict rules about working in a series, but for me it's just about continuity. That continuity could be size, color, technique, or just a theme or story line. It's about exploring an idea. When there's no more interest in that exploration, then the artist moves on. I've been working on the Army Wife for about four years, and I have a few more pieces I'd like to make. But...

 I had an idea last week. Security Blankets. I'm intrigued. I'm making lists of places to go with this. Lots of ideas to explore. This will be my new series. Of course, that doesn't mean I can't go back to a previous series if I want to. And the new series may or may not have legs. But, my brain has just jumped tracks, so off we must go.

 Do you work in a series, and if so, when do you know a new line of exploration has begun?

By the way, three aprons in The Army Wife series are traveling in SAQA's Beyond Comfort show and are currently at their last stop, Texas A&M University, until August 18th, 2013. Absence II, another in the series is part of an SDA regional show at Craddock Terry Gallery in Lynchburg, VA until June 16th, 2013.

Nature's Colors

Hi everyone!
Carol Sloan here.

I am a real nature lover.
I love to hike out in the woods, sit by a rushing river (or a quiet river), kayak, ride my bike down a country road...anything related to getting outside catches my attention.
I also have been a lifelong leaf, rock and bark collector (dead bugs and dried bones but we won't go there right now).
I have tried a few experiments with natural dyeing over the years but never had much luck until last year - when I got really serious about figuring it out.
I purchased India Flint's book, "Eco Colour", and checked out every book at the local library that I could find on the subject.
I did Google searches and read blog entry after blog entry (and there are a lot of natural dyeing blogs out there), all the while taking copious notes.
I experimented for several months, getting little to no results but I kept on trying.
After months of trying all sorts of things, I finally hit pay dirt!

I live in South Carolina (USA) and in my corner of the state, we can grow eucalyptus trees. Sometimes if it gets too cold, they will get a little burned but they usually do pretty good.
These are a few of the results that I got with dyeing silk, cotton and paper with leaves from a local tree.

This is linen fabric. I know that it is much more
difficult to get color on anything other than silk.

Finally! Spectacular color after many, many tries!
Eucalyptus on silk

Different colors from eucalyptus on silk.

Yet one more color from eucalyptus on silk. I love the small fern in the
upper right hand corner of the piece.

I didn't look at my notes but I think that this eucalyptus
has a little walnut color on it (or onion skin).

I did get some nice prints on cotton fabric as well. The leaves created beautiful colors, shapes and prints.

Black Walnut leaves left a gorgeous print on this cotton sheeting.

A variety of leaves were used on this cotton.

The next two prints are pieces of cotton fabric that were facing each other with leaves sandwiched in between them. I love the different looks that I got!

What I really loved was the color and prints that I got from leaves on watercolor & vellum bristol papers.
I gathered a ton of leaves, all kinds of varieties (both plant and tree) and spent several days experimenting with them.
I am totally in love with the results & completely in love with the imprinted memory of those glorious leaves
on the paper.
And I can't wait to do more of it this year!
I am using the papers to make beautiful books full of memories of the forests that the leaves came from.

300 pound watercolor paper
I just noticed the face in the lower left hand corner.
I am not sure what kind of glasses she has on...

300 pound watercolor paper

The prints looked a little different on the vellum bristol paper versus the watercolor paper but I like them equally.

This is a close-up of one area of the paper.
I love the bright green color!

The full page from the above close-up

The green color on the left side is from a
huge dandelion plant!
Can you believe that? 

As you can tell from the dandelion comment above, I truly picked leaves all over my yard.
I tried free fall leaves (litter from the ground), fresh leaves from the trees as well as weeds and leaves from the garden.
(Addendum - some of the tree leaves are from a local farm that my husband and I hike at).

Here is a miniature book that has the pages made from scraps of this paper.
I painted a small piece of some other paper to use for the cover.
It's just a little bigger than a quarter.
This is the kind of thing that I do when I want to do something creative but I can't figure out what, when I am trying to get out of working on a deadline project and/or there is housework to be done...

I hope that you all are finding small ways to avoid housework, I mean exercise your creativity on a daily basis.
I certainly am!