winter textures

We have been thoroughly snowed in and iced over here in the New York tri-state area. Some of my outdoor Christmas decorations are now staying probably till the end of March as I would need a sledge hammer to get them out any earlier....

Despite the severe weather now, I love winter and am always photographing all the stunning scenery that nature provides us. And even though my usual art fodder is architecture, nature still inspires me and if nothing else gives me a reason to play around in one of my favorite mediums - Photoshop.

The following photos were all taken on the fly with my phone and then played with in Photoshop. I can't even begin to keep track of all the different filters, saturations, transformations and layers that these photos have gone through. But I can tell you that I had fun playing!

icy lichen before the snow

icy lichen after I was done with it

snow patterns on outdoor furniture

snow patterns photoshopped

beautiful snow capped trees

snow capped trees digitized

icicles into snow

icicles maximized

So what should I do with these now? The thinking cap is on. Perhaps one day you might recognize one of these in my future artwork. Or not.

PS in March I'll be teaching a Photoshop based 5 day workshop at the Hudson River Valley Art Workshops. Come play with me!

Portfolios

A picture is worth a thousand words, right? Smart phones and tablets have made it much easier for us fiber artists and art quilters to show people what it is that we create, rather than relying on imaginations that too quickly jump to underwater basket weaving and grandma's feed-sack quilts. I have photos of my work on my phone and am all too happy to pull up a picture when anyone shows any amount of curiosity. But my phone is small. So, I've taken to bringing along portfolio books whenever I think I might be in a situation where someone might want to see my work.

One of the best things about these books is that I can make one for each series of my work, or the different facets of my work. I don't have to worry about confusing my fabric collages with my bed quilts. I can choose to show one portfolio or the other, depending on the audience. My dad complained yesterday that he has to scroll through my blog to show his friends my work when they come to visit, so today I made a brag book that has all my recent work.


 

There are many ways to create these books. I have a Mac computer and it's set so that all my photos download directly into iPhoto. So, I've found it very easy to choose one of iPhoto's project templates, plug in the photos, write descriptions, upload it all to Apple, and expect a shiny book to arrive at my door in about a week. Other online printers and photo services also have similar templates, or you can design your own solution from scratch. The books that I order from Apple are best in small quantities, but I really like the elegant template, quality printing and absolute ease of creation.

Last week I was in Oregon and attended a reception at a gallery where one of my Army Wife aprons  was part of a group show. I shared my Army Wife portfolio with the curator, and she asked if the gallery could keep the portfolio for the duration of the show. Of course! It will be a great ambassador for my series. I also showed two other portfolios at lunch during a quilt show in Portland as everyone sitting at our table was introducing themselves and describing what each of us does. Handy portfolios are now as much a part of my art business as my business cards are.

fooled myself

Happy New Year! There is nothing like starting the new year with a realization that I have managed to fool myself yet again.. Natalya here and here's the story:

Back in 2007, inspired by Jeanne Williamson I started a weekly journaling project in which I explored different techniques, experimented with recycled materials and generally didn't give myself any rules except for size. I kept this going for two years and then got bored and decided to do a daily sketch journal. Sketching turned into experimenting with collage and painting and printing and doodling all on the pages of the said journal. Then in 2010 I got all fancy and did monthly diptychs based on my sketches from the year before. The following year I embarked on a very ambitious project of daily journaling on fabric. I had it all figured out: monthly prompts, experiments, binding into monthly books and then....I fizzled out and quit. Yup, quit. I thought that was the end of my journaling. Got it all out of my system, no need for more.

What I didn't even realize was that I hadn't really quit, I had just changed my media. You see, back in the beginning of  2009 I started something silly and frivolous on my blog called Wordless Wednesdays. It was really just blog fodder for when I couldn't think of anything else to blog about. I copied the idea from a bunch of other bloggers, sort of fell into a trend. Without even realizing it became a habit. Somewhere in 2012 the Wordless Wednesdays became more and more architecture based, only natural as my artwork was concentrating more and more on architecture. And they became not so wordless too somehow... In 2013 I gave myself a real challenge of making Wordless Wednesday an experiment in Photoshop using photos of NYC only.

So call me slow...but it was only this week as I planned out my Wordless Wednesday challenge for 2014 that I realized that I had never quit journaling! I just changed my journaling media... Isn't hindsight great?

So what's your journaling story? Weekly, monthly, everyday? Textile, paper or computer? And how has it morphed over time?

what inspires...

Where do you draw inspiration as an artist? Natalya here to tell you where I get mine...

If you take a peek at my art you'll see that obviously I am very inspired by architecture. All sorts of architectural styles from Romanesque to Baroque to Modern, with many things in between. I am especially inspired by architectural signatures that certain cities have. Such as New York is usually instantly apparent in a snapshot. Other cities maybe a bit more difficult to recognize: it is Paris or is Prague? Some cities have almost a color signature, Venice anyone? Or St.Petersburg? I could go crazy here... so I stay focused on just two cities for now.

And it's not just the structures that are inspiring, the textures too. Dilapidated or shiny new.

a wall in St. Petersburg

rainy steps at Lincoln Center

But you know what else inspires me? And feeds my architectural work at the same time? Nature. Yup, the greatest architect there is. Take a look at these recent photos I took and see how much architecture is in them.

city streets?

parks commission?

city blocks?

steps?

What inspires your art?

Butterfly play

All summer long I've been focused on taking butterfly pictures.  I've done some other outdoor work -- birds and flowers -- but it's mainly butterflies.  While I enjoy simply printing as is, I often use them as springboards to other play.  In this case, I used the above photo as a base for the digital paintings below. 

 

The above is made by taking the photo, duplicating it, adding various effects to it like noise, and then playing around.  While nothing has yet turned into fiber work, I have lots of ideas.  I had hoped to put up some work based on another photo I took of a statute.  Maybe next month ... stay tuned!

P.S. I apologize for the obnoxious copyright info, but too many times my images have ended up on the websites of others.  I certainly don't mind sharing, but I do at least want credit.  :)

From a Single Poppy

Gloria here.

I get immense enjoyment from photography and often use it as a springboard for various design ideas and the basis of new artwork. A year or so back, a new hospital was constructed in the area.  As a result of that construction, there were some gorgeous poppy fields that sprung up that I happily visited and photographed on several occasions.  Yesterday I drove over to see what the poppy fields might look like. Unfortunately, with the earth now settled, there were far more daisies and other wildflowers than poppies. Even so, I managed to find a few few to photograph. This is an example of how one poppy became the springboard to various ideas.

This is the original photo. It's not particularly good, but I like the flower in focus and the soft light behind it.

I used the "content aware fill" to get rid of the weed on the upper right, and I used the "exposure brush" to darken the left edge.

I then added a mask to the edge to create a frame. This I will print as is for my journal.

In this version, I played around with the colors, clarity, and edge to create another look.

One of my favorite things to do in Photoshop is chop up images, repeat portions, and see what happens.  I refer to them as "chop and repeats." I do this as a jumping off point to see what types of ideas might happen. It becomes very addictive, with one idea immediately giving way to the next. Luckily I recently got a new 3 TB hard drive, so I have plenty of space for play.  By the end of last night, I had a folder filled with nearly 50 variations (and I have no doubt I will be doing more, as the ideas keep coming).

 

Next I will print many of these "chop and repeats" along with the original source photos to add into my sketchbook. My hope is they will become a springboard for some smaller works in fiber.  I am already anxious to use the photo itself for some watercolor sketches.  What fun!