Heading to Houston

I'm heading off to Houston tomorrow for the annual Quilt Festival.

I have mixed feelings about where I belong in this show.

It is predominantly a traditional quilt show, and the majority of attendees appear to be looking for quilts recognizable for use on a bed, and they're looking for fabrics, threads, patterns, and gadgets that they may not have seen at their local quilt shops. That's not to say that art quilts are not represented. SAQA always has a large exhibit space and at least one more special exhibit has art quilts for inspiration. But it's a quilt show, and that's very different than a museum or gallery show. That's not a bad thing, it's just that as I personally see my work fitting in to more of the latter, I wonder why I'm so attracted to the former.

As I move beyond just looking at the exhibits to hoping to have work in them, or maybe even to finding other textile-related ways to share my talents, I see many of my peers gravitating less towards the Festival, but to the Quilt Market where new fabrics and other products are introduced to shop owners and the like. It seems more and more to me that's where the real networking and opportunities happen. But I don't think it's where networking for textile art exhibits like I imagine for my work happens.

So what am I looking forward to this weekend? Inspiration! I love a good quilt. I love to see what people do with fabric. This year I have a quilt in the annual Dinner@8 exhibit. That's reason enough to go, as I like to see my work "in situ." I thoroughly enjoyed the year the Twelve by Twelve group I belonged to had an exhibit (photo above). It was great to see our work together and it was fantastic to get to know these internet friends in real life! I'm looking forward to the socializing. I get to spend time with a good friend and experience the show with her. I also enjoy meeting other enthusiasts who I may only know from our mutual blog reading or work admired in other shows. Shows like this one in Houston are also a good chance to volunteer for the organizations we benefit from. I always spend some time at the SAQA table where I not only get to meet other SAQA members, but I get to share it's benefits with potential new members or simply those who admire the variety in SAQA's exhibits.

Even though a quilt show may not be the best venue for my own work, I hope to return energized about textiles in general. And I hope to have made some new connections because you never know what might lead to something interesting.

Drastic Measures

Kristin today.

One of the art lessons that has made a lasting impression with me was an experience my dad had when he was in art school. He told me that after laboriously drawing the day's model, the instructor had all the students erase their work, turn it upside down, and start again. The moral of the story is not to think that your work is ever too precious for improvement.




I have been working on this quilt on and (mostly off) for over a decade. The whole tale is on my blog today. It had changed in meaning for me, and I have tried to bring it up to date. After much laboring, I have come to the realization that it is just not working, and I have to take drastic, art school type, measures.




Sometimes (probably more often than we are willing to admit) there comes a point where something just can't be fixed and it has to be tossed or completely reimagined. I decided for the latter and painted my heirloom quilt and then cut it up. I plan to stitch some bolder designs over the panels and mount them on canvas as wall decor. It still may not work, but at least I will have been bold and tried; besides, it's not like the original project was going anywhere anyway.



Interestingly, I just read an article on Ragged Cloth Cafe this morning about creativity and fugitive artwork. It's worth checking out.

Art Quilt Elements Reception

Kristin here. I had the great pleasure to attend the opening reception of Art Quilt Elements at the Wayne Art Center in PA this last weekend. I blogged about the weekend on my blog (click on my name to go there), and in the next post on my blog, about my impressions and the juror's talk.

Being one of the preeminent art quilt shows, lots of the artists were there. I always enjoy putting names and artwork together with faces and personalities. There are a few people I keep seeing over and over, like Betty Busby who seems to show up to all the events even though she lives halfway across the country in New Mexico. I spent a lot of time with fellow Virginia artist Julia Pfaff, who I had met previously in North Carolina at a PAQA South/SAQA event. And there are all the new faces to meet.

It seemed like there were a lot of New Yorkers there, and I was pleasantly surprised to meet our very own Benedicte live and in person! I don't know if readers can tell from her blog posts, but Benedicte is bubbly and funny and personable and an absolute pleasure to meet. It was fantastic to see her work in person too. It glows just as much as when viewed on a computer screen.

Of course, seeing anyone's work in person is the main reason to go to exhibits in the first place. I've decided that opening receptions, while not mandatory, are really worth it if it's possible to attend. No need to fly around the world, but if it's near a friend or an easy drive or train ride, it should be done. There's no substitute for seeing the art in the cloth, it's an opportunity to get to meet other (often like-minded) artists, there's a positive buzz that is very validating for an artist, and you never know when someone will be there with a winning certificate or check to hand to you!

My Next Series

Kristin here. Working in a series works for me. First it was houses with roots, then it was The Army Wife, and next up will be Security Blankets. Of course, that doesn't mean I can't go back and create more houses or army wife related works as inspiration hits. But, for now, I'm moving on.

My work seems to moving more and more towards social commentary. If I can pull it off, I like that. I've never been too tied to one technique or "look," so if I can have a theme or approach that is consistent, I think that's good.

Something I did last week is not tied directly to my Security Blanket series, but is related in terms of social commentary. I went to the US Capitol and disassembled a flag for a little while. It was my protest  by way of metaphor of the way our leaders have been tearing apart our system of government. 

My timing wasn't great, as I staged this on the day Congress voted to end the shutdown and to raise the debt ceiling. However, I have plans to incorporate the flag parts into a textile project for an upcoming exhibit. It's all conceptual at this point and I have no real idea of how it will come together, but I'm very much looking forward to the journey.

Testing, Testing, 1,2,3

Kristin here. I hang my show in a week, and I feel like I'm pretty much ready for it. So now I have time to move on to the next ideas I want to explore. One of the things I want to do involves making a full-sized sun-print of a person. When I get the chance, and have the materials, I try out a technique.

Plan A and B: The first try was painting fabric with slightly diluted, water-based, fabric paint, and then laying on it until the sun had wicked away the moisture and created an image.

Unfortunately, 45 minutes in the made me sweat, which affected the print in an interesting, but not appropriate for my purposes, way. I tried again adding a cloth underneath and a shirt to absorb sweat, and got much better results. However, when I washed the fabric, a lot of the luscious color washed out an the whole piece had a worn, scuffed, look I didn't like.

Plan C: The next thing I tried, was to use my husband as a stencil and spray fiber reactive dye around him. Dye creates a much richer color, but boy was it hard to wash off my man afterwards. Unfortunately, spraying dye doesn't saturate the fabric the same was as immersion, and the resulting fabric was very light after I washed it out. Not the look I was going for. Bummer.

Plan D: So, I mixed mixed the best of both worlds and painted my cloth with Inkodye, a dye that reacts in the sun, and used my hand as a stencil. Love it! But then when I tried to go full size, I dipped the fabric in the dye instead of painting it on (speed was of the essence), I laid my fabric on a cloth to absorb sweat, and I used a different fabric. My resulting print lacked the contrast of the test. 

Plan E and F: I'm learning and refining as I go. I'm pretty certain that I will actually use parts from each of my tests and patch together a pretty interesting image. I will try the Inkodye again with my husband (I need male and female parts) using conditions closer to my test. Depending on how that works out, I will probably also switch to small scale and print individual body parts as needed, using the Inkodye or paint.

Although none of these images are exactly what I want, I'm not frustrated. It's all part of the learning and exploring process. Each try teaches me something. Not knowing exactly how something will turn out is part of the adventure. It will all work out in the end, so I know the investment of time and materials is worth it.

What I'm Working On

Kristin here. My artistic career since starting a family has always been a side venture. In recent years it's taken on more and more import but there's always that balance to find between being present as a mother, diligent as a housewife (at least a little bit), and proactive as an artist. When we lived in Hawaii, I felt the desire to take my art more seriously, but never actually acted on it (the perils of knowing your time in one place is limited). Moving to Virginia with more independent kids and a husband who I knew wouldn't be gone for 12 months at a time, I made a pledge to myself to engage in the local arts community -- even if only temporarily.

I applied for and was accepted into the local art co-op and signed up for a solo show in their main gallery. Lucky me, I am scheduled for September! The opening is in just over two months. Yikes. But I'm ready(ish) with twelve aprons and five quilts and another textile to choose from. I've made lists and marked the calendar with dates by which I need things.

Right now I'm focused on dealing with some ideas I've been contemplating. I put the pedal to the metal on a medallion quilt that was bouncing around in my head and I'm really loving how it's looking. I'm so glad I had the chance to get a good start on it earlier in the month at the retreat even before I knew I'd be having a show so soon. I keep picking up a stalled quilt that I've been working on for over 10 years and finally decided that I'm not clear enough on it's vision to warrant stressing over finishing it for the show. I have a couple of half baked ideas in my sketchbook, but I don't think that they are necessary to fill the gallery, and I'm far more excited about starting the next series rather than dragging out this one unnecessarily.

I made a scale model of the gallery a few days ago and populated it with scale printouts of my work. It's like playing with a doll house! I ordered two mannequins to display work on but one arrived moldy, so back it goes to be replaced (glad I ordered early and have time to replace it). Next up is taking a look at my mailing list (terribly outdated) and writing a press release for some military-related venues that the normal publicity at the art center probably won't reach. Then I print postcards, and new business cards while I'm at it. I'll need a statement or something as part of my signage in the gallery (and I'll have to design and order the signage). And I can't forget to make sure each piece is signed and labeled consistently and ready to hang/install. I've got to get the builder guy at the art center to find or make me three pedestals for the mannequins too.

There's lots to do in the next eight weeks. But nothing is difficult or unexpected. I have been dreaming of this show for years as I've been creating The Army Wife series. I am incredibly excited and I can't wait to show my story to our community here.

A Wild Hair

Hi, it's Kristin. I have a bit of a split personality when it comes to my creativity. Sometimes I'm more crafty, particularly when the blogosphere conjures up something excruciatingly cute, or clever, or mushroom themed. Sometimes I'm a quilter. I really, really, like scrappy quilts with simple geometric shapes and feel the urge to make one every so often -- especially when my scrap bin starts overflowing.  Most of the time I consider myself an artist and have been working diligently on creating a cohesive body of work, which right now centers mainly around houses with roots and facets of military spouse-ness.

But last week I got a wild hair. An idea I thought too good to pass up, but not at all in the line of what I had been creating. I've been worrying that I have no context for this. I can't show it with my other work because it is so different. I don't know where to exhibit it, or how to properly share it with the world. I could ignore the idea, and move on, but where's the fun in that? I slept on it and was still jazzed in the morning. It's consumed me all week!

 

What does one do when excited about something that doesn't fit into their usual sphere? It's a quilt, and my family plans to use it on the sofa -- it's craft. It's social commentary inspired by an internet meme, and references a historical artist -- it's art. It's quirky. It's not about being an Army Wife, or the dream house I wish for. It's an artistic conundrum for me.

 

Now, having written this post, I see that rather than being a complete anomaly, this quilt may actually be a perfect amalgam of ALL my maker personalities -- artist, crafter, nerd. I'm still not sure what to do with it though.

12x12 for Off the Hanger show

Jamie Fingal here. This is my signature piece for the identification sign for 8 that Create that will hang at the "Off the Hanger: Form & Surface" show in Old Forge, NY - beginning Oct 12.   Yes, there is zipper trim on it.  I love the polka dots, as they add alot of movement and fun to the piece.

I am still on the fence about a title for it.  Here are some that I am contemplating  - Cut once, measure twice.  Cut-Up.  Fashion Show.  Polka and Dot.   Hung Up.  Fold Here.  Measuring Up. Zippy Dress.  Dress Up.  What do you think? 

Finished but Nameless

 
Liz Kettle posting. My piece for the Empty Spaces theme is finished. I decided to mount it on a canvas because the two parts of the diptych are small and I was worried that they would be lost when hung directly on a wall. Plus, it was important for me to have the space around and between the two pieces to be white which you can't always count on in a gallery setting.

Hopefully you can see some of the stitching in this detail photo. The left side of the diptych is stitched along the black lines in cotton thread. The right side is stitched in the white spaces with silk and rayon threads. I hope this piece evokes the question of what is 'empty'.

I haven't decided on a name yet. Usually, when I hand stitch so much on a piece of art I have plenty of time to mull over a name but this time I didn't come up with one. I will have to make a list of ideas and see what resonates. Let me know what you think in the comments.