Showing posts with label hand dyed. Show all posts
Showing posts with label hand dyed. Show all posts

Tuesday, August 27, 2013

Testing, Testing, 1,2,3

Kristin here. I hang my show in a week, and I feel like I'm pretty much ready for it. So now I have time to move on to the next ideas I want to explore. One of the things I want to do involves making a full-sized sun-print of a person. When I get the chance, and have the materials, I try out a technique.

Plan A and B: The first try was painting fabric with slightly diluted, water-based, fabric paint, and then laying on it until the sun had wicked away the moisture and created an image.


Unfortunately, 45 minutes in the made me sweat, which affected the print in an interesting, but not appropriate for my purposes, way. I tried again adding a cloth underneath and a shirt to absorb sweat, and got much better results. However, when I washed the fabric, a lot of the luscious color washed out an the whole piece had a worn, scuffed, look I didn't like.



Plan C: The next thing I tried, was to use my husband as a stencil and spray fiber reactive dye around him. Dye creates a much richer color, but boy was it hard to wash off my man afterwards. Unfortunately, spraying dye doesn't saturate the fabric the same was as immersion, and the resulting fabric was very light after I washed it out. Not the look I was going for. Bummer.

Plan D: So, I mixed mixed the best of both worlds and painted my cloth with Inkodye, a dye that reacts in the sun, and used my hand as a stencil. Love it! But then when I tried to go full size, I dipped the fabric in the dye instead of painting it on (speed was of the essence), I laid my fabric on a cloth to absorb sweat, and I used a different fabric. My resulting print lacked the contrast of the test. 


IMG_3866


Plan E and F: I'm learning and refining as I go. I'm pretty certain that I will actually use parts from each of my tests and patch together a pretty interesting image. I will try the Inkodye again with my husband (I need male and female parts) using conditions closer to my test. Depending on how that works out, I will probably also switch to small scale and print individual body parts as needed, using the Inkodye or paint.

Although none of these images are exactly what I want, I'm not frustrated. It's all part of the learning and exploring process. Each try teaches me something. Not knowing exactly how something will turn out is part of the adventure. It will all work out in the end, so I know the investment of time and materials is worth it.

Saturday, November 12, 2011

introductions: Sue Bleiweiss

My name is Sue Bleiweiss and I've been a full time artist for over 10 years.  I work primarily with sandwashed cotton that I dye myself to create fabric collages with and I work with hand painted silk.

I have become quite enamored with aged, rusted and weathered surfaces and my work with silk is a result of this.

[caption id="attachment_35" align="aligncenter" width="300" caption="Ravages of Time 30”x40” hand painted silk"][/caption]

 I've started a series of corsets and garments from the late 1800's using the techniques I've developed to create these aged painted silk surfaces.




[caption id="" align="aligncenter" width="233" caption="Inside Out 52”x38” hand dyed sandwashed cotton"]
Silk corset Metal


My intent with the series is to highlight the contrast between how garments of that era that were worn to enhance a woman's beauty were so restrictive and uncomfortable to wear that it must have made the wearer feel weighed down, restrained and anything but beautiful.


I also enjoy creating vessel's using these surfaces.  After fusing the silk to a stiff interfacing the pieces are cut out and the edges are finished with a satin stitch.  They're then assembled into the finished vessel.


Silk Vessel Curves  24” x 3” x 6”


I also work with hand dyed sandwashed cotton.  Using low water immersion methods and procion dyes I dye the cotton in the colors I want to work with and then use them to create fabric collages:



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These collages are created using a raw edge fused applique technique.  The black lines that you see in the pieces are all hand cut strips of hand dyed black cotton which is fused in place and then stitched over with black thread.

You can see more of my work in the gallery of my website here.